What more does Discovering Your Author Brand have to offer?

It’s the kind of things that you need to know when you’re ready to proof-plus that book you’re writing for NaNoWriMo.

What? You say the revelation to two secrets isn’t enough to spring your purchase?

How about these three?

Tagline vs. Logline vs. Blurb.

Book b4 Series b4 Author Brand.

Using Trailers.

Oops. Did I give too much away?

What is Sentence Craft?

And why do I need to discover it?

Are those your questions

when you look at Discovering Sentence Craft?

Maybe the following will Give the answers to those questions.

In the forests of words that we writers grow, blazed trails mark the way to our destination. Without those trails, without paths leading down to sun-sparkled streams, without the yellow brushstroke painted on tree after tree, we might lose our direction and our sanity.

Reading through that opening paragraph, most writers will recognize the extended hiking metaphor. Many will spot inversion and alliteration. A few will appreciate the anaphora and auxesis and zeugma, even when not familiar with those terms.

This is Sentence Craft. Controlled use creates appreciative readers. Over-blown use drives readers away.

  • Sentence Craft—from easy imagery to involved structures—is essential for the poet.
  • Bloggers and other nonfiction writers will find it a marketing tool, distinguishing them from their competition.
  • Speech writers and great broadcast journalists use these devices to make their spoken words become memorable.
  • With fiction, writers paint expositions and settings and character tags, capturing readers who may not even recognize the sweeping stroke of the magical wand.

Discovering Sentence Craft is for writers new and old. For newbies, word-tricks can be fascinating ventures into an unknown forest. These tricks can renew a veteran writer’s love of words and sentences flowing onto the page.

In small offerings, of course. Too many tricks glaze our readers’ eyes.

Discovering Sentence Craft covers figurative and interpretive concepts as well as the structural elements that build meaning, emphasis, and memory.

Concepts

I: Figurative

II: Interpretive

Structures

III: Inversion

IV: Repetition

V: Opposition

VI: Sequencing

Writer M.A. Lee believes writing is a skill-based craft which can be learned and practiced. Artists learn composition, perspective, depth, proportion, and shading. A baseball player learns in-field and out-field, pitching vs. throwing, batting and bunting. An electrician learns reading blueprints, voltage and current, circuits, outlets, and panels.

A writer needs much more than grammar and spelling. Reading widely, Discovering Sentence Craft concepts and structures, and practicing them will open doors for anyone who wants to improve.

Find it here:

 

What’s the second secret to Author Brands?

Hint: Before you publish, before you contract with a cover artist, before you write your two-part market copy, you better know this secret.

No, I won’t tell you here. You need to read Discovering Your Author Brand in order to discover the answer.

And there’s more secrets in the book, such as the two-part to market copy and knowing when niche markets are important.

Find it here:

 

Here’s something not sexy.

A brand for writing is a contract with the reader.

Here’s two more.

Brands identify quality work with artistic effort.

They serve as a stamp of approval for the customer.

Yeah, yeah. You’ve heard that before.

Look around, and you’ll spot lots of flash-bang presentations on creating author brands. As more writers become self-published and traditional writers try to increase their marketing, the Author Brand is a hot topic.

Everyone talks about it. Few people can explain how to do it or give instructions to follow.

Well, gee, here’s another book, too. How is Discovering Your Author Brand different from the other books in the marketplace?